
The Royal Academy Exhibition of 1840 was the seventy second annual Summer Exhibition of the British Royal Academy of Arts. It was held at the National Gallery in London from 4 May to 24 July 1840 and featured submissions from leading painters, sculptors and architects of the early Victorian era.[1]
J.M.W. Turner submitted a series of paintings including landscape scenes of Venice and Naples. One of his more unusual works was The Slave Ship which showed the crew of a slaver throwing their enslaved prisoners overboard in a scene likely inspired by the eighteenth century Zong massacre.[2] Edwin Landseer, a specialist in animal paintings, featured a number of works including Laying Down the Law. One of his best-known paintings it shows a group of dogs who resemble the proceedings of an English court of law.[3]
Francis Grant, an emerging Scottish portrait painter, displayed Queen Victoria Riding Out featuring Queen Victoria and her Prime Minister Lord Melbourne at Windsor.[4]
Gallery
[edit]-
The New Moon by J.M.W. Turner
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Bacchus and Ariadne by J.M.W. Turner
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Rockets and Blue Lights by J.M.W. Turner
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Horses Taken in to Bait by Edwin Landseer
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The Lion Dog of Malta by Edwin Landseer
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Islay, Tilco, a Macaw and Two Lovebirds by Edwin Landseer
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A View in Cairo by David Roberts
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The First Meeting of Petrarch and Laura by Henry Nelson O'Neil
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The Irish Whiskey Still by David Wilkie
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Nell Gwynn at the Tavern by Charles Landseer
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The Glee Maiden by Robert Scott Lauder
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The Ford by Thomas Creswick
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The Eve of the Deluge by John Martin
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The Assuaging of the Waters by John Martin
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Gil Blas Introducing Himself to Laura by William Simson
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Mars, Venus and an Attendant Derobing her Mistress for the Bath by William Etty
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Andromeda, Perseus Coming to Her Rescue by William Etty
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The Contrast by John Callcott Horsley
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Neapolitan Peasants at the Festa of the Madonna dell'Arco by Thomas Uwins
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Boar Hunters Refreshed at Saint Augustine's Monastery, Canterbury by John Rogers Herbert
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The Banquet Scene in Macbeth by Daniel Maclise
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A Scene from Gil Blas by Daniel Maclise
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A Scene from Twelfth Night by Daniel Maclise
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Almsgiving by Charles West Cope
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A Neapolitan Boy Decorating the Head of His Innamorata by Thomas Uwins
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Ave Maria Scene Near Tivoli by William Collins
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First Love by William Mulready
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Great Temple at Edfou by David Roberts
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Loss of the Royal George by John Christian Schetky
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Portrait of Mary Shelley by Richard Rothwell
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Portrait of the Duke of Wellington by John Lucas
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Portrait of James Rivett-Carnac by Henry William Pickersgill
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Portrait of Lord Arbuthnott by David Wilkie
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Portrait of Queen Victoria by David Wilkie
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Portrait of Earl of Cottenham by Charles Robert Leslie
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Portrait of the Duke of Sussex by Thomas Phillips
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Portrait of Marshal Soult by George Peter Alexander Healy
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Portrait of John Whichelo by George Frederick Watts
See also
[edit]- Salon of 1840, a contemporary French exhibition held at the Louvre in Paris
References
[edit]- ^ https://chronicle250.com/1840
- ^ Shanes p.222
- ^ Ormond p.192
- ^ https://www.rct.uk/collection/400749/queen-victoria-1819-1901-riding-out
Bibliography
[edit]- Hamilton, James. Turner - A Life. Sceptre, 1998.
- Herrmann, Luke. J.M.W. Turner. Oxford University Press, 2007.
- Murray, Peter. Daniel Maclise, 1806-1870: Romancing the Past. Crawford Art Gallery, 2009.
- Ormond, Richard. Sir Edwin Landseer. Philadelphia Museum of Art, 1981.
- Shanes, Eric. The Life and Masterworks of J.M.W. Turner. Parkstone International, 2012.
- Tromans, Nicholas. David Wilkie: The People's Painter. Edinburgh University Press, 2007.
- Weston, Nancy. Daniel Maclise: Irish Artist in Victorian London. Four Courts Press, 2009.