Symphony No. 67 (Haydn)

Joseph Haydn

Symphony No. 67 in F major, Hoboken I/67, is a symphony by Joseph Haydn. It was composed by 1779. The Haydn scholar H. C. Robbins Landon calls this work "one of the most boldly original symphonies of this period."[1]

Movements

The work is scored for two oboes, two bassoons, two horns and strings.[1] There are four movements:

  1. Presto, 6
    8
  2. Adagio B major, 2
    4
  3. Menuetto & Trio, 3
    4
  4. Finale: Allegro di molto, 2
    2
    – Adagio e cantabile, 3
    8
    – Allegro di molto, 2
    2

This is the only symphony where Haydn opens in fast 6
8
time without a slow introduction.[2]

At the end of the second movement, the entire string section is directed to play col legno dell'arco (with the wood of the bow).[1]

The trio of the minuet is scored for two solo violins each playing con sordino on single strings. The first violin plays the melody on the E string and the second violin tunes its G string down to F and plays a drone on the open string.[3]

The closing Allegro di molto departs from the standard finale form. It features its own internal Adagio e cantabile slow movement. The fast music is first interrupted by a solo string trio (two violins and cello) instructed to play piano e dolce.[1] The rest of the orchestra elaborates on this slow section, including some passages for the string trio's woodwind counterparts (two solo oboes and a bassoon),[2] before the initial Allegro di molto section returns and Haydn brings the symphony to its conclusion.

Notes

  1. ^ a b c d HC Robbins Landon, Haydn: Chronicle and Works, 5 vols, (Bloomington and London: Indiana University Press, 1976– ) v. 2, Haydn at Eszterhaza, 1766–1790
  2. ^ a b Brown, A. Peter, The Symphonic Repertoire (Volume 2). Indiana University Press (ISBN 025333487X), pp. 160-166 (2002).
  3. ^ Hodgson, Antony, "The Music of Joseph Haydn: The Symphonies", p. 50–51
  • Scores of the symphony, from IMSLP
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Symphonies by Joseph Haydn
A–20
  • A
  • B
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6 (Le matin)
  • 7 (Le midi)
  • 8 (Le soir)
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
21–40
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  • 22 (Philosopher)
  • 23
  • 24
  • 25
  • 26 (Lamentatione)
  • 27 (Hermannstädter)
  • 28
  • 29
  • 30 (Alleluia)
  • 31 (Hornsignal)
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38 (Echo)
  • 39
  • 40
41–60
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  • 42
  • 43 (Mercury)
  • 44 (Trauer)
  • 45 (Farewell)
  • 46
  • 47 (Palindrome)
  • 48 (Maria Theresia)
  • 49 (La passione)
  • 50
  • 51
  • 52
  • 53 (L'impériale)
  • 54
  • 55 (The Schoolmaster)
  • 56
  • 57
  • 58
  • 59 (Fire)
  • 60 (Il distratto)
61–81
  • 61
  • 62
  • 63 (La Roxelane)
  • 64 (Tempora mutantur)
  • 65
  • 66
  • 67
  • 68
  • 69 (Laudon)
  • 70
  • 71
  • 72
  • 73 (La chasse)
  • 74
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  • 81
Paris symphonies
  • 82 (The Bear)
  • 83 (The Hen)
  • 84 (In nomine Domini)
  • 85 (La Reine)
  • 86
  • 87
88–92
  • 88
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  • 90
  • 91
  • 92 (Oxford)
London symphonies
  • 93
  • 94 (Surprise)
  • 95
  • 96 (Miracle)
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  • 100 (Military)
  • 101 (Clock)
  • 102
  • 103 (Drumroll)
  • 104 (London)
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