Bayat-e Esfahan
Bayat-e Esfahan (Persian: بیات اصفهان) is one of melodic pieces of Iranian traditional music, known as a branch of Dastgah-e Shur or Dastgah-e Homayun. Some musical theorists consider the Bayat-e Esfahan an independent dastgah within the Persian radif system.[1]
Features
Ruhollah Khaleqi has noted that this mode conveys the emotional capacity of both happiness and sadness.[2]
Branches
Bayat-e Esfahan has a number of branches or gushehs, including:
- Daramad-e avvval (first preface)
- Daramad-e dovvom (second preface)
- Jame daran
- Bayat-e Raje
- Oshagh (owj)
- Bayat-e Shiraz
- Suz va Godaz
- Naghme
- Masnavi
- Sufi name (or Saki name)
References
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Radif
Dastgah
- Dastgah-e Shur
- Dastgah-e Segah
- Dastgah-e Chahargah
- Dastgāh-e Māhur
- Dastgah-e Homayoun
- Dastgah-e Nava
- Dastgah-e Rastpanjgah
- Avaz-e Dashti
- Avaz-e Abu'ata
- Avaz-e Bayat-e Tork
- Avaz-e Afshari
- Avaz-e Bayat-e Esfahan
- Avaz-e Bayat-e Kord
- Shushtar
- Bayat-e Kord
- Bayat-e Qajar
- Nava-e Nishapur
- Rahāb
- Jāmadarān
- Deylaman
- Delkash
- Dād
- Bīdād
- Darāmad-e Ḵārā
- Darāmad-eZang-e Šotor
- Ḥeǰāz
- Čahār-bāḡ
- Kerešma
- Bozorg
- Neydavood
- Golriz
- Persian scale
- Persian traditional music
- Great Book of Music
- Tasnif
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